Shipyard closures had 'huge impact' on city

Jim Scott
BBC News, North East and Cumbria
BBC Alex Sherriff, wearing a black cap with white text saying Windstar Cruises, kneels down and points to a plimsoll line at the Sunderland Maritime Heritage Centre. The marking is a horizontal line running through a circle and was added to ships to ensure they were not carrying too much cargo.BBC
Alex Sherriff spent years at Austen & Pickersgill shipbuilders in Sunderland

A former shipyard worker has recalled the moment he knew the industry in his city was coming to an end with the loss of thousands of jobs.

Alex Sherriff was among the last batch of employees to build vessels in Sunderland as the final yard closed in 1988.

To honour them, two sculptures have been installed on the banks of the River Wear - one of workers having their lunch and another depicting a former shipbuilder telling his granddaughter about the old yards.

Mr Sherriff said it remained important the industry was remembered as he felt newer generations were "slowly forgetting" the impact of shipbuilding as old colleagues "pass on".

He spent much of his time at shipbuilders, Austen & Pickersgill, joining in 1973 in the shot-blasting plant that he said nobody else "wanted" to work in.

"It was dirty, dusty and noisy," he told the BBC.

"The plates used to come through, were shot-blasted, then into the spray booth where there was four spray guns going.

"When the new orders used to come through there was a spring in everybody's step as we'd got another year's work."

A large, bronze-coloured statue of two shipbuilders on a bench. One is reading a paper while the other straddles the bench sideways. Both wear caps and between them sits a flask and a welder's face visor. The statue sits on an off-white stone slab with cut grass behind and a path in front.
One of the new sculptures shows two shipbuilders on their break, having their bait

Two sculptures by County Durham-based artist Ray Lonsdale and commissioned by Sunderland City Council were unveiled at St Peter's on Thursday.

Mr Lonsdale explained: "One is called 'It Says Here' and is of two shipyard workers having their bait.

"The other is called 'Launch Day' and depicts one of those workers 30 years later telling his granddaughter what it was like to see a ship launched into the Wear.

"Something she will never witness."

The artist's father, Brian, was a shipyard worker from the 1950s to the 1970s and, although he died in October, he did get to see the sculptures.

Mr Lonsdale said: "I'd like to think he'd be looking down and be proud of the work."

A bronze-coloured statue of two figures sitting on a silver steel park bench. The left-side one of the two represents an old former shipbuilder, wearing a cap and leaning both hands on a walking stick in front of him. He is looking towards a girl - his granddaughter - sitting alongside him and who looks back. She has a bobble hat, coat, knee-length skirt and long socks. Her ankles are crossed but her feet don't quite reach the ground. She is holding an cone that has a full swirl of ice cream and a flake.
One of the shipbuilders is depicted again 30 years later, talking to his granddaughter

Shipbuilding on the Wear dates back to 1346 and the yards played a vital role during World War Two, producing ships to replace those lost at sea.

While much of Wearside's shipbuilding heritage has been lost, some artefacts remain at the Sunderland Maritime Heritage site in Hendon.

Peter Johnson, who has white hair and is wearing a dark blue shirt and dark blue hooded jacket, holds up a paper map which shows the locations of the key shipyard sites in Sunderland. He is standing in a warehouse surrounded by maritime artefacts.
Peter Johnson's father Stan worked in the shipyards for most of his life

Peter Johnson, a trustee at the centre and the son of Stan Johnson who worked in the shipyards from the 1940s until the late 1970s, said: "I remember my dad coming home absolutely shattered, covered in grime.

"It was a hard life, sometimes dangerous, health and safety wasn't so stringent.

"They had asbestos to work with, they had other shoddy working practices.

"They were deaf... you can imagine the cacophony of the riveting and working with metal. You could hear it around the town.

"Thousands of men worked in the shipyards but basically overnight [they closed].

"It was on the cards – my dad knew, he knew they couldn't compete with the Far East shipyards."

He added the loss of the shipyards had a "huge impact" on the city.

Sunderland Maritime Heritage A black and white photo of the Vishva Pankaj ship being built at a shipyard in Sunderland. There is scaffolding located towards the bow of the ship, which is in the early stages of construction in a dry dock.Sunderland Maritime Heritage
The Vishva Pankaj ship being built at James Laing & Sons in Sunderland

Mr Sherriff left just months before the final yards closed when, he remembers, work opportunities were "dwindling".

"If you knew where there was a job going, you kept it to yourself.

"I left before they closed rather than look for a job with another 4,000 people behind you."

He said former shipyard workers were now "coming to their end, getting old" and honouring their often painful and sometimes deadly work remained important.

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